1996 -  Served on the jury for Television Artes ‘96, judging best Contribution to YOUTH & CHILDREN’S PROGRAMMES

He continues to produce and present programmes with the SABC, one of the most popular being THE BRUCE MILLAR SHOW.

CLEM THOLET 

Singer, guitarist & songwriter

Bio details: Born Salisbury, Rhodesia.

Music Career:
Clem started writing songs whilst an art student in Durban. One of his early songs, “Vagabond Gun” was a category winner in the SA Music Festival in 1966. On moving back to Rhodesia to work in advertising, he started singing at Rhodesia’s first folk venue, The Troubadour in Salisbury’s Angwa Street. There he met Sue Eccles and Andy Dillon and together they formed a trio called “The Kinfolk” Shortly after they moved to Johannesburg, Sue left the group, and Clem & Andy joined up with Yvonne Raff to become “The Legend Trio”. Apart from singing at the original Southern African “Troubadour”, the trio were involved in a number of SAFMA’s National Folk Fests. Clem married Jean Smith in 1967, and he began a solo career, recording some singles with Art Heatlie at Trutone. Mel Miller, Peter Leroy and Sylvia Stott briefly joined Clem to form a group in 1970, before Clem moved back to Rhodesia in 1971, where he soon built up a strong following. He did a series of shows on Rhodesian Television, and presented a radio programme called “Folk on the Rocks” on radio for two seasons. The name came from the folk club Clem ran at The Beverley Rocks, where it played to regular packed houses and featured some stellar guests, such as comedians Spike Milligan and Shelley Berman, and folkies like Jeremy Taylor, Brian Finch and Tony Bird. Clem did the opening half of The Shelley Berman Show at the 7-Arts Theatre in Salisbury. A popular star of the annual “Bless 'Em All” Troop Shows, and in great demand in the Rhodesian entertainment scene, Clem recorded his first album “Songs of Love War”. Self-penned and produced, the album was awarded a Gold Disc. He wrote the soundtrack and songs for the C.I.S. film “What A Time” and the theme song for a film honouring the wounded troopies of Rhodesia, “Tsanga”. He produced a second album, called “Two Sides to Every Story”, before moving back to South Africa. After living and working in the advertising industry for many years in Cape Town, Clem sadly passed away on 06 October, 2004, having suffering from the effects of a debilitating illness for a number of years.

Recordings

The Cold Side(1968) Renown

Mirror of My Mind (1968) Renown

With Pen In Hand (1968) Renown

True Love is a Tear (1968) Renown

Vrystaat (1969) Renown

Rhodesians Never Die (1973) Blackberry

Hey, Hey Jerome (1973) Blackberry

Zambesi, Zimbabwe (1980) Stanyan

Peace Dream (1977) Teal

The Last Farewell (1978) Teal

Song For Johnny (1978) Teal

What a Time (1978) Teal

Sunny Days and Rain (1980) Stanyan

Used Car Dealer (1980) Stanyan

Somebody Else’s Song (1981) Stanyan

Albums

Songs Of Love War. Teal

Two Sides To Every Story. Teal

Film Tracks

What a Time

What a Time it Was

Golden Days

With These Hands

Peace Dream

Another Hitler

Tsanga, Tsanga

Clem sadly passed away after a long illness in Cape Town on Wednesday, 06 October, 2004.  Read Clem's self-penned obituary under the Obituaries page.

DAVID SCOBIE (Updated 01 January 2006)

Singer/songwriter
Bio details: Born in Dundee, Scotland, in 1964.

Music Career

David was raised on traditional Scottish music which influenced his musical interest. In 1973 he emigrated with his parents to Rhodesia and, by 1975, was appearing regularly at the Beverley Rocks Motel Folk Club in Salisbury. During this time he was further influenced by Zimbabwean folk singer, Iris Jones, as well as Neil Diamond. As a result he started to write his own songs and approached Martin Norris at Shed Studios in Salisbury who facilitated a recording deal for him. Martin penned David's debut single - "Gypsy Girl" -and it went straight to No 1 in Zimbabwe and No 4 in South Africa.

26 ANSWERS FROM DAVID SCOBIE (14 December 2005)(Added 01/02/06)

On the eve of his departure from Zimbabwe for the fairer and greener climes of the United Kingdom, we were lucky enough to spend some quality time with David, picking away at his memories, experiences and views.  Thanks, David, for accommodating our request - there is no doubt many people will enjoy what you have to say.

 Q1       Where were you born and when?

Dundee Scotland 17 Sept 1964

Q2       What schools did you attend - and for what periods?

Ardler Primary Dundee until 1972

Nettleton Junior Harare 73 - 77           

Cranborne Boys High Harare 78 – 79

Prince Edward High Harare 80 – 83

(  Approximate dates! )

Q3       When, how, where did your interest in music start to surface?

In Scotland when I was five or six years old. I was climbing Glen Clova , one of my favourite places in Scotland with my parents. They started singing some songs casually as we were climbing and I joined in. They were surprised with what they heard, and so was I! At the Clova Hotel that evening they stood me on the bar top and I sang a song or two. I’m pretty sure that that was the start of a musical interest. Around ‘71 or ’72 my parents took me to see a Scottish Trad duo live at the Caird Hall in Dundee, called the Corries, I was so blown away. I was also taking in their music via the records that my parents were playing. This started my life long affection for Celtic music.

David - Queen's Ferry (United Kingdom) - 1966

Q4       Were either of your parents musical?  If so, to what extent?

My father (also David) has a good voice and would sing at parties etc. My parents loved music and influenced me with music from the Beatles, the Rolling Stones and Neil Diamond. For that I am very grateful.

Q5       Did you have any music lessons and, if so, on what instrument?   Can you read music?

I had a few guitar lessons with a classical teacher but it was over my head at the time. I just wanted to learn chords to be able to accompany myself or anyone else. My parents were friendly with Iris Jones who was a guitar teacher. She explained keys and chords to me and was very encouraging in all aspects of music. I still cannot read music.

Q6       Singing?  How did that begin and where?

Iris Jones sang at the Beverley rocks folk club with Clem Tholet. I was lucky enough to be asked to sing there a few times. I used to perform Scottish folk music, as well as music from Neil Diamond and The Beatles. My father also sang Scottish folk there a couple of times. Clem had just released ‘Songs of Love and War’. I was very proud to be sharing the stage with someone who had released a record and was famous within our community.

Colour Study - David Creates His "Gypsey Girl" (1980)

Q7       How did your music “career” begin and how did it take shape before you recorded “Cleaning Up!” 

I played at local amateur variety and charity shows, a couple of night clubs and folk-pop evenings with Nic Pickard. I was around 12 or 13 at the time. It was great fun at the time. I played with my acoustic guitar only, doing pop cover songs.

Q8       Who really assisted you during these early years – parents, teachers…friends?

My parents encouraged me so much to play, there was no question there. Iris, Clem and Nic had also given me a chance to play to a live audience a couple of times a month. Martin Norris and Steve Roskilly turned out to be a great influence some years later.

Q9       Who were your early influences?

The Corries, The Beatles, Rolling Stones, Neil Diamond and later, I discovered the Police, whom I loved. I still listen to them today. Sting, Stewart Copeland and Andy Summers had injected a whole new rhythmic approach into my music. I was hooked on them as a teenager.

Q10     How did getting to record “Cleaning Up!” come about?  How did you become involved with Steve Roskilly & Martin Norris?

Clem Tholet suggested to Steve and Martin that he needed my sort of voice for an advertising jingle for Musgrove and Watson called ‘Travelling Man'. When I was in form 3 I was called away from my classroom to speak to Steve about it. Within a couple of days I was nervously singing the jingle at Shed Studios. Luckily the jingle went on to win Clem’s Advertising Agency an award, thanks to all involved. I loved being at Shed, I sang a few more jingles for them, and then Martin approached me one day with ‘Gypsey Girl’, which he had written for me.  I had just begun writing at that stage and ‘Don’t Pass Me By’ was recorded for the B side. I could not believe what was happening at the time. It was very exciting stuff for a fifteen year old.

Q12     How old were you when you recorded “Cleaning Up!”?

The album was recorded early 1981 and released later that year. I was sixteen. 'Gypsey Girl' was recorded in 1980 when I was fifteen and released later that year in time for Xmas.

"Why do you play those games - you know it ain't right..."

David recording vocals during the "Gypsey Girl" days (1980)

Q13     Did you have any say in the material chosen for the record & how was this decided?

            The three of us decided. Steve and Martin were musical guru’s to me then and I trusted their opinions. I would not have sung any songs which I didn’t like though. I was very open to suggestions and so were they.

Q14     What were your ambitions, musically?

            At that time having a single out (Gypsey Girl) and staying at number one for so long, and then having a successful album too, my ambitions were fulfilled completely. It was all happening too fast to take in.

Q12     You wrote some great songs on that album – “Maybe Life Don’t Care”, “Help Me”, “On The Phone”, “Don’t Pass Me By” and “The Girl Was You”.  Did you compose the lyrics and tunes?  What was the story behind each song (if you can talk about it!!!)?

            Yes, the lyrics and the tunes are all mine. Thank you very much for the compliment. I am very proud of ‘On the Phone’. I was trying to do a Lennon at the time, hence the change in my voice. Steve and Martin had produced, in my mind, the most beautiful arrangement for that song, as well as many others. Thanks again guys. I can’t really remember now what the original influences were. 'Don’t Pass Me By' was the first song I had written. The lyrics for these songs seem to me to have been some kind of plea to be taken seriously as a writer. There were some strange lyrics then like ‘reigning king of the statues’ from ‘The Girl Was You’; I remember Steve Hughes, who was also involved with Shed, ragging me about that line. 'Maybe Life Don’t Care' seems a bit Diamond influenced.

Desk Drivers - "Gypsey Girl" Life 'n Times - Production Pause (1980)

Q13     I know this album did phenomenally well in Rhodesia – what did it do elsewhere?

            It did well in South Africa too.

Q14     Tell me about the huge success that was “Gypsey Girl”.  Has it been your most successful commercial song?

            Yes, without a doubt. I have sung it a thousand times at various functions over the years. It brings out a sense of proud nostalgia to audiences. It takes them back to old good times. I have a sample of ‘Gypsey Girl’ from Canada where it was released for airplay as a DJ sample but unfortunately it did not break through to that market. It seems to be a favourite for compilation CD’s in South Africa to this day.

Pride Of Place - "Cleaning Up"

Q15     What happened after “Cleaning Up!”?  Those of us who were mad fans of yours were desperately waiting for a follow-up album(s) to “Cleaning Up!” which just never came!

            The second album Reborn (nothing to do with religion) was released in South Africa. The 3^rd and 4^th albums, ‘Photograph’ and ‘Special Edition’ were released in Zim. They didn’t have the same impact as ‘Cleaning Up’. My feeling now is that I had probably been taken as a bit of a novelty act – “the young guy with the big voice”; once people had seen and heard me, then it seemed a case of "been there, done that! Now let’s go and buy some real ‘imported’ music". Local white artists in Southern Africa have never been taken seriously for very long. It’s a shame.

Q16     Your composition of original songs also seemed to have dried up – why was this?  Are there any incredibly valuable and highly sought after “basement tapes” stashed anywhere?

I did keep on writing and recording for a few years and I do have copies of some material from that period as well as unreleased demos etc.

Q17     Have you only worked in the music field all these years or did music become a “night time job” whilst you did something else to earn a living?

            I eventually became employed at Shed studios and produced or engineered various artists. Sometimes writing for them. I also became involved in producing/arranging/writing advertising jingles for a living which became my bread and butter for fifteen years during which time I built my own music recording studio.

Q18     What were you favourite performance venues in Rhodesia/Zimbabwe?

            In 1998 a great local team and I put together a Neil Diamond tribute show at Reps Theatre. It was great fun and very successful too. It then toured the country and we performed for the farming community who were going through rough times. I loved playing at all the little venues throughout the country. (Nobody seemed to cater for these communities.) I then wrote a comedy in 1999 with Steve Hanly and Fraser Mackay called ‘My Private Parts’ which also toured to full houses.

Q19     Who are the biggest names you have shared the stage with at performances – names, dates & venues, if possible, please?

            I can’t remember the exact dates, it was either ‘81 or ’82, I was interviewed on a South African TV show called ‘Open End’; The other guests were Olivia Newton-John and Sol Kerzner. That was amazing. I met Rita Coolidge after one of her shows in Johannesburg; Paul Simon on the Harare leg of his Graceland tour, I was doing sound for the supporting local artists; Randy Crawford, when I was doing supporting act sound for The Rusike Brothers.

            I have played at various festivals over the years and shared the stage with S.A. acts; Lesley-Rae Dowling, P.J. Powers, Ballyhoo, Jeremy Taylor and Watershed. I’ve met The Corries in 1988 during their last tour in Scotland. Chris Martin from Coldplay once worked at Shed studios for a brief period, before he became world famous, so I’ve met him too.

Q20     How did the “Diamond Files” project come about?  Full history, please!

            Many people over the years have said that I sound a little like Neil Diamond, which lead me to the idea of doing The Neil Diamond Masterworks show at Reps in Harare. I recorded and played the music in my studios over three months, January to March 1998, and the show was directed by Steve Hanly. I painstakingly finished the tracks; trying to copy every nuance of Neil Diamond’s arrangements so that we could convincingly sell the show soundtrack to theatre audiences and for radio promotion etc. A few years down the line I received a phone call from Grant Edmond (John Edmond’s son) who wanted a release for South Africa. He persuaded me to re-record the vocals, so they were dubbed onto my backing tracks over a rushed two day period in Jo'burg and The Diamond Files were released. Unfortunately, I had severe flu during the sessions and it is audible on the recording, so I prefer the original vocals and mix which I had recorded in 1998 in Zim.

Q21     Do you see yourself as mainly - a singer, an instrumentalist or a songwriter?

            I’d like to think that I can try my hand at all three. I have spent most of my time in a studio and would love to get a great band together and play live.

Q22     You are on the brink of leaving Zimbabwe – what are you future intentions in the music field?

            I have been singing with my girlfriend Brigitte, who is also a musician, for five years now, gigging at numerous functions, festivals and venues in the Southern African region.  This year, however, has been an even busier time for us in the studio, as we have recorded sixty-four Scottish traditional tracks (four albums worth). We plan to release them in Scotland at some stage; get together a live band and hopefully score some success in the Celtic arena.

Q23     Besides the “Diamond Files” and “Gypsey Girl”, are any of your other songs available on CD?  Any plans to have “Cleaning Up!” released on CD?

            Not that I know of at the moment. I am looking at having a website built and hopefully everything will become available again one day.

Q24     People love anecdotes, amusing stories and experiences from a musician’s career – can you share any of these with me?  I’m sure there must be loads to tell!

            I was lucky enough to have had a one hour television special in SA in the early eighties; They were shooting the ‘Don’t Pass Me By’ video for insertion into the show and one of the shots needed was for me and a sexy model to romp around together in the sea. This was a brilliant task for a young Scobie, and what made it even better was that every time a wave came ashore, her almost see-through dress rose with the waves to reveal that she wasn’t wearing any underwear! What a great way for a seventeen year old to start his short TV career!!

Q25     Family details – wife, children?

   I am currently enjoying a happy relationship with Brigitte.

Q26     Any advice for any youngsters who might wish to follow in your footsteps

            If you plan to get into the music world, make sure that you’re truly enjoying your self and that the style of music is close to your heart, as this will be reflected in your live shows, videos and audio recordings. (If you’re doing something that you’re not really in for and it becomes popular, it’ll only come back to haunt you later!) There will always be people who try to tell you what to do, and how to do it – take the advice, absorb it and see if it suits your vision in the long run. At the end of the day if you are doing something musical the best thing is to be honest and true to yourself. Most of all good luck – IT’S NEEDED!

Recordings

Singles

Gypsy Girl (1981). Stanyan
Taking The Easy Way Home (1981). Stanyan

Albums
Cleaning Up (1981). Stanyan
Reborn
Photograph
Special Edition
The Diamond Files - Volumes 1 & 2

DYLLIS STEVENSON

HENNIE BEKKER (Revised 29/07/07)

Instrumentalist
Bio details:  Born in Rhodesia
Instruments:  Piano/keyboards

Musical Career

Hennie was born in the Zambian town of Nkana before relocating, as a one year old, to Mufulira where he was to spend the first decade of his life.  During these years he attended the Mufulira Mine school.  His father was a boilermaker on the mine and neither of his parents were musically inclined ~ nor were any of his four brothers!  In 1945, at the age of 11, Hennie’s parents moved to the suburb of Hillside in Bulawayo where he completed his junior schooling at Milton before going on to the Bulawayo Technical High School. 

Hennie’s first musical influence came from two enormously talented aunts, stirring a great desire within him to learn the piano.  Essentially self taught, he came to the attention of Sholam Middledorf, an extremely good piano tutor who gave lessons from home.  Although never formally a student of Middledorf’s, the piano tutor took it upon himself to invest time in the young Hennie, guiding him and taking many hours to discuss, describe and explain musical issues to him.  Later on, Hennie would deputise for his mentor at gigs at the ever popular Warnborough Mansions venue.

Hennie did not participate in any school musical activities being content to find his own path through life.  In his early years he was influenced by George Shearing, Art Tatum and the big bands and jazz of the 40’s and 50’s.  In latter years these influences grew to include the music of the 60’s and onwards, Vangelis and many others.

Hennie joined his first band as a 15 year old, the Bulawayo group YOUTH MARVELS.  From there he progressed into the professional ranks, as an 18 year old, in the mid-50’s to THE GERRY DE VOS BAND.   The other members of this band were Gerry De Vos on guitar and violin and Noel Kidwell on bass.  He remained with Gerry for five years playing many gigs at the New Carlton Hotel. 

For a short time, thereafter, he co-hosted a “live” daily early morning radio broadcast for the Rhodesia Broadcasting Corporation, alongside Leslie Sullivan.  He then returned to performing, creating a trio of musicians playing a residency at Salisbury’s The Chicken Inn at the Punch Bowl Hotel.  The other members of the trio were Eddie Van Dierman on drums and Doug Graham on bass.  Their repertoire comprised mostly top 40 hits and latin music.

In April, 1962, Hennie relocated to South Africa where, with little money and prospects, he succeeded in landing a job with Gallo Records as a staff music director and producer.  Here it was that he started to write, produce and record commercial jingles.  He also continued to gig in jazz clubs, particularly The Montparnasse in Hillbrow, a leading venue of the day.  During these years he played with many distinguished musicians and groups, including Tony Moore, Kevin Kruger, Malcolm Watson, Eddie Payne, Profile, Music Corporation, Johnny Kongos, The Four Saints and The West Coast Giants.

Hennie quickly built a glowing reputation for himself within the music industry for his boundless energy, commitment, passion and, of course, his obvious, if unschooled, natural talent.  He was soon independent enough financially to leave Gallo and he continued with his activities, spending time in the United Kingdom.  He worked extensively in London as musical director of the Duchess Theatre (West End) and played the keyboards for stage productions such as Isabel's A Jezebel and wrote scores for films, including 'Tigers Don't Cry'.   He also produced records with Emil Dean Zoghby on Magna Carta's "Prisoner On The Line" album (1979).

Hennie’s curriculum vitae over the following years includes the following:

Late 1962 – The Colony Night Club – Johannesburg

·         Hennie Bekker – piano
·         Doug Graham – bass (another Rhodie!)
·         Pat Higgins – drums
·         Eddie Payne – trumpet and vocals

1963 – Bretts – Salisbury

·         Hennie Bekker – piano
·         Doug Graham – acoustic bass, bass guitar, flute and percussion
·         Tony Moore – drums
·         Eddie Payne – trumpet and vocals

1964 – Club Navale – Luanda – Angola

·         Hennie Bekker – piano and vibes
·         Doug Graham – acoustic bass, bass guitar, flute and percussion
·         Derrick Graham – vocals
·         Eddie Van Diermen – drums

1964 – The Riviera Hotel – Durban

Same line-up as above.

1965 – The Mikado – Johannesburg

Same line-up as above.

1969 – The Hennie Bekker Band – Bretts – Johannesburg

·         Hennie Bekker – piano and organ
·         Johnny Boshof – bass and percussion (another Rhodie!!)
·         Tony Moore – drums
·         Jeff Sonn – saxophone, flute and vocals
·         Eddie Payne – trumpet and vocals

1973 – The Hennie Bekker Band – The Branch Office – Johannesburg

·         Hennie Bekker – keyboards
·         Judy Page – vocals
·         John Fourie – guitar
·         Johnny Boshof – bass
·         Lofty Schultz – saxophones and flutes
·         Eric Norgate – trumpet
·         Tony Moore – drums

1973 – Profile – The Branch Office – Johannesburg

·         Hennie Bekker – keyboards
·         John Fourie – guitar
·         Johnny Boschof – bass
·         Lofty Schultz – saxophones and flutes
·         Eric Norgate – trumpet
·         Kevin Kruger – drums and vocals

In 1987, Hennie and his wife, Jacky, decided to leave South Africa and emigrate to Canada.  At 54 this was a significant challenge which confronted them with Hennie fearful as to whether he’d be able to make it in a new, and strange, environment.  Initially he struggled to get established in Toronto until he was put in contact with John Parry of Parry Music.  Impressed by Hennie’s demos, he was asked by Parry to score and produce music for the company.  The rest, as they say, is history!

Over the next three years, Hennie made six instrumental albums for Parry, as well as 10 instrumental albums for Sound Ideas.  He attributes their survival in Canada to the income generated by these albums.  At the suggestion of  Parry, Hennie was engaged by Solitudes Limited to combine music with Dan Gibson’s wildlife sounds.  This resulted in the emergence of Hennie’s own new age recordings which were released through Solitude.  The first release, “Harmony” in 1989, has since sold over 400 000 copies worldwide.  He has since released 13 nature sounds/music albums.  His latest offering, entitled “Mirage”, was released in January 2007.   Now 64, he has been nominated for one of Canada’s most prestigious music awards, the Juno Award, for top instrumentalist of the year.

Aside from all this, Hennie has also taken the opportunity to demonstrate his diversity by being a  member of the popular BKS techno-dance group.  Their album – “Rock ‘em Sock ‘em Techno” - is setting the pace in rave music clubs across Canada.  B stands for Bekker, K for George Kavanagh and S for Toronto DJ Chris Sheppard.

Hennie’s late son, Barry, was also an exceptional musician.  He was born in Mufulira and relocated to Johannesburg as a 17 year old to join his father.  Partnering with Colin Shapiro – as the “Musicos” - he did many highly acclaimed movie sound tracks, as well as radio and television commercials in South Africa.  He subsequently also moved to Canada where he wrote, produced and recorded a number of outstanding albums before his untimely death.

Internet references:

Official website site

http://www.henniebekker.com

BKS

http://en.wikipedia.org/wiki/BKS

My Space

http://www.myspace.com/henniebekker

You Tube

http://www.youtube.com

JIMMY SAUNDERS 

Circa:
Home town:  Que Que

Well known Que Que hotelier and entrepreneur, Jimmy Saunders', musical contribution to the morale of the nation at the time.

JODY WAYNE

Singer

Born in Bangalore, India, of Canadian parents, Jody accompanied his parents when they relocated to Rhodesia via a short time in England.  After completing high school, Jody teamed up with Mike Shannon to launch THE DIAMONDS.  THE DIAMONDS later moved to Australia and, subsequent to their departure, Jody  started to appear on Rhodesia Television to much acclaim in the 60's.  

In 1965 he moved to Durban, South Africa where he formed LITTLE JO & THE TRAVELLERS with John Rice and Bill Fleming on guitars.  LM DJ Dave Davies noticed their potential and gave them daily exposure on LM Radio.  During this period the band appeared on radio shows together with such international names as Jim Reeves, Floyd Cramer, Francois Hardy, Chet Atkins and John D Loudermilk, all of whom visited the country (RSA) in the 60's.

After a period of about 18 months the band ceased due to military call-ups and Jody went solo winning the South African Song Festival in 1965 with 'A Voice In The Dark'.  A long series of hits followed this breakthrough.  During this time Jody formed THE JODY WAYNE SCENE which later became GUYS & DOLLS. 

In the 70's Jody turned his hand to producing other artists including Barbara Ray, Gwynneth Ashley Robins, Neil Herbert and The Stockley Sisters, some of whom he discovered.

 In 1975 Jody played the lead role in PACT's production of 'Joseph & The Amazing Technicolour Dreamcoat'.  Following that production he continued to perform widely throughout South Africa at various shows and festivals.   This he continues to this day.

Recordings

Singles

A Voice In The Dark (1965) PYE
Tell Laura I Love Her (1966) RCA
Are You Sure (1966) PYE
Sixteen Candles (1966) PYE
Patches (1966) PYE
The Three Bells (1966) PYE
Cookie (1976) PYE (with Glennys Lynne)
All For The Love Of A Girl (1968) PYE
Little Tin Soldier (1968) PYE
Ragamuffin Girl (1969) PYE
The Wedding (1970) RCA
A Time For Us (1970) RCA
The Wonder Of Your Love (1971) RCA
Louanne (1971) RCA
Little Things Mean A Lot (1971) RCA
Picture Of Patches (1971) RCA
I'm Gonna Knock On Your Door (1974) RCA
Take Me Back Again (1976) RCA
Jody Remember Me (1977) RCA
Heartbeat (1978)
Are You Mine? (1979)
I'll Never Dance Again (1980) EXPLOSION
Young Lovers (1982) PLUM

Albums

Jody (1966) PYE
Jody Wayne Sings (1966) PYE
16 Candles (1966) PYE
Single Boy (1967) PYE
The Wedding (1970) RCA
To My Love (1970) RCA
By Request (1975) PLUM
Everything Is Beautiful (1976) PLUM
Send Me Some Loving (1976) PLUM
Jody Wayne Collection (1992) TRANSISTOR
Now & Then TRANSISTOR

Plus two tracks on the compilation:

Record Expresso's Dance Party (1966) RCA-VICTOR  

JOHN EDMOND

Vocalist, composer and guitarist

Bio details:
Born November, 1936, in Luanshya, Northern Rhodesia, he spent a part of his youth in Scotland before continuing his schooling as a boarder at Christian Brothers' College, Pretoria, as a twelve year old.   His parents were still living in Ndola at the time.  After completing high school he fell ill with pleurisy which ended the vision he had of a career in the military.  John then joined Roan Antelope Copper Mine before answering his military call-up in November, 1956, a calling which introduced him to the 3rd Battalion of the Royal Rhodesia Regiment

Musical Career

Having been brought up in an environment where he was regularly exposed to music, be it as a listener, piano student, bugle player, choirboy or as a drummer in the CBC college band, John formed his first group, THE BUSHCATS, in Southern Rhodesia in 1958.  On of the band's main influences of the time was that of Lonnie Donegan. The BUSHCATS played at various parties and functions and enjoyed exposure at the Windsor Lounge or Theo's Corner bar as it was known.  After playing at Ndola's Rutland Hotel the band's popularity spread and they were in demand.   During these years military call-ups constantly plagued the band's members and regularly interrupted the progress they were making.  Having said that, the band's members used the time in the army to improve their musical skills, including composition!   In due course the BUSHCATS' popularity continued to grow and the band appeared regularly on television as they progressed from a skiffle group to a folk quartet.  Pete Dene, one of the band's original lead guitarists, later formed the DIAMONDS with Mike Shannon as lead singer.  Another of their guitarists, Harry Hayden, later joined the DYNAMICS.  Both the DIAMONDS and the DYNAMICS went on to become well established, and significant, features of the southern African music scene.   

After moving to South Africa in the mid-60's, John started to perform on the Johannesburg club circuit, notably at the "Nite Beat" and "Troubadour" coffee bars in Hillbrow.  His first residency was at a steakhouse in Kempton Park called "The Zambesi".  The local music industry, however, considered him to be more of a composer than a singer or artists and his prolific pen was kept busy.  He started sharing his songs with other artists and gave "The U.D.I Song" to Nick Taylor.  The recording went straight to the top of the Rhodesian hit parade.  A number of works by John went to other well known artists on the local scene. 

 By the 60's, John had moved to South Africa and teamed up with Steve van Kerken and Alan Goodwin in the NEW TRENDS. After a handful of performances by the trio they were approached to do an album.  John and Alan duly penned most of the material for this album and their big hit, "Gypsy Man", became their trademark song.   The band performed at many prestigious venues during this time amongst which was an appearance at the Royal Command Performance at the coronation of King Sobhuza II of Swaziland where the played for, and met, the Duke and Duchess of York.  

JOHN OAKLEY-SMITH

Singer, pianist & composer
Bio details:

Music Career

John studied classical piano at the University of Cape Town before moving to Johannesburg in 1970. Before long he began making his name on the local folk circuit with his vivid songs, some of which appeared on his album "Matinees On Saturdays". Unfortunately they did not find favour with those in control of the networks and received scant coverage or airplay. Nevertheless, he was signed by Warner Brothers Publishing in America to a songwriting contract. He writes music for theatre and television and makes occasional appearances at Johannesburg clubs.

Recordings

Albums

Matinees On Saturdays (1976) Warner Brothers

Singles

Lady Of The Odeon (1976) Warner Brothers
When The Night Wind Blows (1980) Third Ear

JUDY PAGE 

Singer

Bio details: Rhodesian born

Music Career

At an early age, Judy would have liked to have been a dancer, however, drummer Teddy Bowles suggested that she exploit her talent for signing. She started her career in cabaret where she was well received, before moving to South Africa and very quickly gaining a recording contract. Her career continued to grow and, during the 70's and 80's, she appeared in many theatre productions. Her daughter, Kim Kallie, recording at one stage as Margino, also established a career in the entertainment world.

Recordings

Singles

Sweet William (EP)Gallo/Gallotone
What A Woman In Love Won't Do (1967)
Green Grow The Lilacs (with Peter Lotis) (1967)Gallo/Gallotone
Boy From Ipanema. Gallo/Gallotone
Queen Of The House. Gallo/Galltone
Some Things Just Stick In Your Mind. Gallo/Gallotone
Petit Fleur (Stay With Me). Gallo/Galltone
These Boots Were Made For Walking. Gallo/Gallotone
Tears (with Peter Lotis). Gallo/Gallotone
Sand (with Peter Lotis). Gallo/Gallotone
Elusive Butterfly (1967). Gallo/Gallotone
Look Of Love (1967). Gallo/Gallotone
Montreal (1968)(recorded with her daughter, Kim Kallie, under the name of "Kimbo"). Gallo/Gallotone
Anytime Girl (1971)
I Love You Madly (1976) Jo'burg
No-One In The World But You (1975) Aztec. Gallo/Gallotone

Albums

Page Of Requests (1966). Gallo/Gallotone
Lonely For Him (1966). Gallo/Gallotone
Something For Good (1966)(with Peter Lotis). Gallo/Gallotone
Green Grow The Lilacs (1967)(with Peter Lotis). Gallo/Gallotone
Elusive Butterfly (1967). Gallo/Gallotone
Gotta Come Up With Something (1969). Gallo/Gallotone
Time After Time (1971). Gallo/Gallotone
No-One In The World But You (1975). Aztec

Awards

1970 - Best English Album
1970 - Best Female Artist
1972 - Best Female Vocalist

JULIAN FORTUNE 

Singer/Guitarist
Home town:  Salisbury
Circa:  1960's - 1990's

Fortune (real name Julian Pellatt) started playing guitar as a 12 year old in 1967/68, inspired by musicians of the area, predictably the Beatles, Peter Paul & Mary and Bob Dylan.  His first public performance was as a 13/14 year old at the Beverley Rocks Motel when he and his sister, Debs, did a rendition of "Polly Von" learnt from a Peter, Paul & Mary recording.  With strong encouragement and support from CLEM THOLET, the duo persisted and laid the foundations for many long years of association with the Rhodesian folk music scene.  Indeed, the vehicle for this was the Rhodesian Folk Music Association which thrived throughout these years until its demise in 1979.  As Julian - along with many other local artists - gained confidence and experience, they started to set out on country-wide tours, taking their brand of talent and entertainment the length and breadth of the land.  Along the way, CLEM THOLET invited Julian and some of his contemporaries to sing backing vocals on what was to be a massive local hit - "Rhodesians Never Die".  This was recorded at Shed Productions studio under the guiding hand of Steve Roskilly.  Julian had further involvement in the broadcast media when he and John Palgrave contributed to the creation of a popular radio series called "Everyman's Music", produced by Caroline Thorneycroft.  He also had the good fortune - excuse the pun! - to feature in a  couple of television appearances in Rhodesia TV.  

In the late 70's, following the end of the Beverley Rocks scene and era, Julian moved to Umtali for a time before relocating to the United Kingdom.  Whilst resident in Umtali he continued to travel to Salisbury to make appearances at a club called Sarah's, in which John Palgrave had a hand.  Back in Umtali he was a regular performer and will be remembered by the clientele of fine establishments such as the Wise Owl Motel.

(See also IN THE TRADITION)

JUMPING JACK MCGROARTY

Singer

Bio details:

MEGAN TIMOTHY

Singer/dancer

Bio details:

Megan initially started out as a folk singer and, although extremely modest about her abilities in this regard, found her way to Hollywood where she appeared in Las Vegas in cabaret.  She was also a Bunny Girl at Hugh Hefner's Playboy mansion in Hollywood during the heyday of the Playboy magazine.  Her acting talents came to the fore when she appeared with Elvis in the film "Charro". 

MIKE GIBBS

Piano & trombonist
Bio details: Born in Salisbury.

Mike took piano lessons from a young age. He commenced a Bachelor of Science degree at the University of Natal which he did not complete, forsaking this activity to take up the trombone. He funded his own way to the Berklee College of Music in 1959 and enrolled, at the same time, at the Classical Boston Conservatory, from which he obtained a Bachelor of Music degree.

Whilst at Boston Mike befriended Gary Burton, the world's leading vibes player of the day. He also studied at Berklee under big band leader, Herb Pomeroy (a trumpeter), as well as Gunther Schuller, John Lewis, Aaron Copeland and George Russell at the Lennox School of Jazz.

Burton encouraged Gibs to compose with Burton subsequently using many of his works. Stan Getz and George Shearing also made use of his compositions.

In 1965, Mike moved to London where he continued to play trombone as a member of the Graham Coller Sextet, the Tubby Hayes Big Band, Johnny Dankworth and Cleo Laine and in the pit orchestra for a 'My Fair Lady' production. Through this exposure Mike gained access to the world of television on the BBC which, in turn, resulted he him being given a recording contract with Deram. He made a number of his own albums whilst continuing to play with Dankworth.

In 1974 he returned to the USA and became a lecturer at Berklee where he taught arranging, jazz composition and contemporary music analyses. During this period he commuted between the USA and UK and contributed to many music projects.

Apart from recording with the London Symphony Orchestra, he has orchestrated albums for John McLaughlin and Stanley Clarke. Amongst those that he has played with, are the names of:

Carla Bley
Mike Mantler
Mike Maran (the British folk singer)
Joni Mitchell
Uriah Heep
Roy Buchanan
Michael Walden
Lenny White (and played piano on his solo album 'BIG CITY' - 1977 - Nemperor)
Mike Westbrook (on his albums - Marching Songs Volume 1 and Volume 2, both in 1969 on Deram)

On his own albums he has worked with the nucleus of British jazz-rock musicians:

Kenny Wheeler (ex-Savoy Brown)
Jack Bruce
Chris Spedding
Barbara Thompson (saxophone)
Brian Odgers (bass)
Roy Babbington
John Marshall
Jeff Clyne
Clive Thacker
Dave McRaie
Mike Payne (piano)
Ray Warleigh (saxophone)
Ray Russell (guitar)

His compositions may be heard on Gary Burton's albums "The New Quarter" and "7 Songs for Quartet and Chamber Orchestra" (both on EMI) and he dueted with Burton on the album, "In The Public Interest". They have also appeared in many concerts together.

Mike Gibbs has written numerous film scores, jingles and worked with Bill Oddie on the music for the British television series, 'The Goodies'. This resulted in five top twenty hits in Britain.

Solo Albums

Michael Gibbs (1969) Deram
Tanglewood '63 (1970) Deram
Just A Head (1972) Polydor
In The Public Interest (1973) Polydor
The Only Chrome Waterfall Orchestra (1975) (Also featured guitarist Philip Catherine). Bronze
Big Music (1988)

Has produced albums for Wynton Marsalis, Jevin Eubanks and Bill Evans.

AWARDS 1973 - Voted 'Musician Of The Year' in a joint award with John McLaughlin
1974 - 'Musician Of The Year'
1974 - Voted 'Big Bandleader Of The Year' in Melody Maker's jazz poll.

NORMAN READER (Added 09/05/06)

Guitarist/vocalist

Norman joined the British South Africa Police in 1965, bringing with him a twelve string guitar.  As the depot barracks were inspected every Saturday, he would do his best to conceal the item as discreetly as possible in his cupboard in an attempt to escape the gaze of the Depot Commander, the legendary Ron Trangmar!  Needless to say, Trangmar usually spotted it, acknowledging its presence through a number of disparaging remarks about people who played guitars.

When posted to Bulawayo, Norman made the occasional appearance on television as a newsreader using the name, Norman O'Reardon.  He still cannot explain why he chose this nom de plume.  His newsreading career came to an end one evening when, after having had a few drinks, he softly strummed his guitar throughout the news broadcast providing a musical background that was neither planned nor appreciated!!

Norman was active on the local folk circuit and teamed up with another police friend, Mike Deemer, to form a duo which kept active in the various clubs and gatherings.   Over the years Norman performed with various colleagues and friends with the most notorious probably being Paddy White's Plastic Shithouse Band!  He remains active to this day having developed a passion for his 5 string banjo and indulging in bluegrass music. 

PAUL & EDEL KRIGE  

Vocalists

Paul & Edel Krige were well known as a vocal duet for many years, particularly in Bulawayo.  Much of their work was associated with the Roman Catholic church but their talents and versatility extended beyond choral duties.  Popular at functions such as weddings they made two albums both on the Teal records label:

• When You Walk In Love 

• Noël - Our Favourite Christmas Carols 

PETER CRESWELL

 Composer

QUINSEY

Singer
Bio details: Rhodesian born

Musical Career  

Born Alan Elderkin, he first took the stage name of Alan Quinn and sang with the Etonians. Changing the name of Alan Quinn to that of Quinsey, he and came to prominence in South Africa in the late 60's. His vocal range of three-and-a-half octaves impressed Graeme Beggs (amongst others!) who signed him up for a recording contract. He subsequently toured South Africa with the Statesmen and Beau Brummel in 1967. Arising from this, he appeared in Brummel's film "Three Bullets For A Long Gun" which was banned in South Africa! Quinsey also proved hismelf adept at songwriting with the film compositions, "Wonderful Day" and "South Of Capricorn" to his credit.

Recordings

Singles

All The Time (1967). Continental
When Will We Meet Again? (1968). Continental
In The Twilight (1968). Continental
Wonderful Day (1968). Continental
Go North (1972). WRC
Theme For A New Love (1973). Aztec

Albums

Just Quinsey (1968). Continental
The Long Red Shadows (soundtrack)
Three Bullets For A Long Gun (1971) (soundtrack)

RICHIE MORRIS 

ROB CUSHMAN (Added 16/07/06)

Rob's entry into the world of music performance was launched when his aunt presented him a guitar purchased from ERMI "for about a fiver".  He was 12 at the time - and the die was well and truly cast!  He carted the guitar with him wherever he went, sitting for hours on end learning chords and practicing.  The bond between the two was broken (literally!) when the instrument fell over one day shattering the headstock and reducing it to a three-stringed implement.  Such was the extent of Rob's grief that his father quickly produced a replacement Bellini guitar, purchased from Barry Dodds also "for a fiver"!  Ron had it stripped down and varnished to make it look like a "real guitar" and continued his enthusiastic exploration of music.

It was whilst at CBC as a scholar that Rob came into contact with a Spanish priest, Father Xavier, who had come to the school to learn English.  Father Xavier played a semi acoustic guitar which he amplified through the head of his portable gramophone.  Rob was mesmerised!  Under the priest's guiding hand Rob learnt had to "caress the strings" with his right hand instead of using a plectrum.  Despite breaking his left arm during this period he still managed to play enough to practice with his right hand!

Attracted by rock 'n roll, Rob formed his first band with his brother, Jonah on rhythm, himself on lead, Giles Porter on bass and Willie Birch on drums.  They called themselves the Finks and played regularly at the Women's Institute in Lobengula Street.  House parties regularly featured their musical talents and their finest hour arrived when they came second in a Texan Rock Band Contest to the "FRUITS OF LOOM".  Andy McGibbon, who today owns McGibbon's Guitar World in Johannesburg, was the Loom's bass player at the time. 

Rob's interest in folk music was nurtured through his regular attendance at local folk music clubs and venues where he was exposed to the finger picking style of guitar playing.  He also saw a number of artists and performers he admired for their playing and singing talents.  It was duly this period that he learnt to play "Cocaine All Around My Brain" which he continues to perform to this day, including a version on his album release, "Bunch 'o Keys".

He then joined the "3 G's" who subsequently changed their name to the "MOTETS".  The other members were Sandra Langberg, Camilla Richardson and George Lambert-Porter.  Appearances on television and radio followed.  Programmes such as the Sonia Hatton Show, as well as John Aldridge's "Hoedown" regularly featured Rob in his own right, as well as the Motets.  He also accompanied a number of other performers whose own careers were unfolding at the time. Garth Styles and Johnny Booysie were two of the noteworthy names amongst this group of aspirants.

Mike Westcott then approached him to form a band and, as a result, TRIAD, came into being.  Triad was a very short-lived venture which wasn't around long enough to make a real impact.  This was due to the fact that Colin Payne and Adrian King had left one of the biggest Bulawayo bands of the day, the COLLECTION.  Rob and Mike replaced Payne and King in the Collection's line-up for a time. 

In 1969 he departed for South Africa where he joined a 12 piece folk group in Durban.  After performing in a few shows Rob was head-hunted to join a band called RUBY BOOT.  At the time Ruby Boot were playing at the well known Durban venue, Smuggler's Inn, with the promise of a contract at Spurs in Cape Town.  The band duly relocated to Cape Town where, after three months of gigging from 10:00 pm - 03:00 am every night the group disbanded. Rob then returned to Rhodesia and joined the Army to complete his National Service.  As could be expected he did a fair bit of entertaining the troops with his talents during the months that followed.

Upon leaving the Army he teamed up with Ivana Krupicka and Ray Robshaw in a vocal trio which they called IVANA, RAY and ROB.

In 1974 Rob returned to South Africa where he was active on the music scene and met many of South Africa's icons including Jannie Hofmeyr, John Oakley-Smith, Brian Finch, Mike Dickman, the Kitchen Brothers and Paul Clingman.  With Dave Marks being very instrumental on the Johannesburg music scene Rob played gigs at places such as Zoo Lake, Wits University and Mangles.  In 1975 he relocated again, this time to the United Kingdom.

Tackling the London music scene Rob naively - in his own words - thought that he'd "made it" when he played a gig at the famous Troubadour at Earl's Court.   He soon realised that there was more to it than that and he was hugely disappointed when the audience did not react to his playing in the same way that audiences in Rhodesia and South Africa had.   Disillusioned and dispirited he played a few more restaurant gigs before putting his guitar aside for five or six years.

Surfacing from his period of musical isolation Rob regained the urge to perform but found that his come-back had been staged in the middle of a recession in the United Kingdom!  Nevertheless, keen to supplement his meagre wages he set forth and landed a residency in a restaurant doing covers.  He found that this period benefited his finger style technique as he had to play bass, rhythm and lead in order to fill out his sound.  After about eight years his music had become more a job than a pastime and he then joined a church band where he remained for about four or five years.

Today, Rob has built up a solid circle of friends with musical dispositions and he had developed a modest but loyal following in south east England, often performing due and trio gigs with various members of this social network.  His performances have included a few festivals in the area.  He has released a CD of 16 tracks, 9 of which are originals from his pen.  As mentioned earlier, the CD is called "Bunch 'o Keys".  His weakness, he says, is that he doesn't churn out lyrics very easily although tunes are plentiful!  These days he spends a fair bit of time writing instrumentals and rearranging songs.  One of the many people who is eternally indebted to is Barry Joubert who introduced him to James Taylor, Taylor being a major influence on him.

Inbetween all of the above, Rob manages to find time to listen to the works of his favourite guitarists, especially Laurence Juber, Doyle Dykes, Tommy Emmanuel and Leo Kottke.

STEVIE LANGE (van Kerken)

Singer
Bio details:

Stevie began her career in Rhodesia with THE NEW TRENDS, the folk-rock band formed in the 60's by JOHN EDMOND.  Her career progressed into the 70's when she sang with Hocus and did backing vocals on Margaret Singana's debut album. During this time, she married Mutt Lange and moved to London. In London she became an established session singer and backed some auspicious bands and musicians including, Elton John, Status Quo, Bad Company, Doobie Brothers (on "Minute By Minute"), Rick Wakeman (on "1984"), Tina Turner, Sweet, Leo Sayer, Barbra Streisand, Jona Lewie, Graham Bonnet, Crawler, Kevin Lamb, Noel McCalla (of 'Sniff & Tears'), Manfred Mann (on "Watch"), Trevor Rabin (on "Wolf") and Blancmange (on "Happy Families").

In 1977 she met Manfred Mann's guitarist, Chris Thompson, and joined his group Filthy McNasty. In 1978 the group recorded an album, "Live At The Bridge House". Producer Steve Perry was impressed with their work and signed Chris and Stevie to record an album with him as Night. Night recorded two albums before parting company.

Stevie Lange continued with her session singing at Thompson's recording studio. She recorded the single, "Remember My Name" (1981) on RCA. In 1982 she did backing vocals for James Last at Sun City and also sang on Mara Louw's debut album.

Recordings

Smokey Blues Away (1969) Columbia. (Recorded in SA as Stevie van Kerken).

TONY BIRD

Tony was born in 1945 in Malawi and attended boarding school in Southern Rhodesia, as it was at the time.  In pursuit of the completion of his education, Tony moved to England where he dropped out of forestry school before making his way to London.  He then started to sing his songs in the pubs of London before joining the crew of a geophysical vessel working off the shores of Africa.  After four years of this, whilst writing - in the main - Country & Western songs, he left the ship in Madagascar and returned to South Africa for the first time in ten years.  Returning to South Africa, the socio-political state of the country struck him sharply as evidenced in his song entitled "Athlone Incident", inspired by a night-time experience he had in Cape Town.  In due course Tony migrated to the United States where he lives in New York.  His poetry and songwriting skills have earned him respect and his "Bird Of Paradise" album was applauded as "one of the 10 best pop albums of the decade" by the Chicago Music critic, Lynn Van Matre.  He best known songs include "Zambesi Zimbabwe" which was covered by Clem Tholet and is included in his most recent release, Archives.  

With acknowledgements to:

www.3rdearmusic.com (The Hidden Years)

www.mangotime.net (The Unofficial Tony Bird Website)

TRISH MATTHEWS

Singer

Bio details:

Known also in her younger days as Pat, Trish - sometimes accompanied by her sister, Helen - performed regularly at venues in Bulawayo in the 70's.  After moving to South Africa she made occasional appearances on SATV's country music productions.  Her record releases including collaborations with Alan Garrity.

WREX TARR

Singer/comedian

Recordings

Singles

The Terrorist's Lament (Entered charts on 12/10/68 & reached No 4)
The Poacher's Lament (Entered charts on 19/4/69 & reached No 6)

Albums

Futi Chilapalapa (Entered Top 20 on 23/11/68 & reached No 12)
You Are Now In Chilapalapa Country (Entered charts on 13/12/69, No 10)

Wrex sadly passed away in 2006 after suffering a heart attack following a game of bowls in the Eastern Cape.